Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA DRAMATICA - Issue no.2 / 2015 - Table of contents
     
     
 
1.  STRATEGIES FOR THE EMBODIMENT AND DISEMBODIMENT OF SPECTATORSHIP: DON’T CRY BABY AND HOTEL BY EUGEN JEBELEANU.
          Authors: MIRUNA RUNCAN.


2.  TRISOMIC STAGES: THEATER HORA AND JEROME BEL’S GENETICALLY MODIFIED THEATER.
          Authors: .


3.  “WHY WON’T YOU HELP ME … SHAVE MY HEAD?” CRITICAL AUTOETHNOGRAPHY AND UNDERSTANDING AFFECTIVE RESPONSE TO AN ACT OF CRITICAL VULNERABILITY IN SOLO PERFORMANCE.
          Authors: .


4.  SHAME. SPECTATORSHIP STRATEGIES IN HISTORICAL DOCUMENTARY THEATRE.
          Authors: .


5.  EXTENSION OF PERFORMATIVITY BY A BCI.
          Authors: .


6.  PARADISSOLUTION – RITUAL COMMUNION WITHIN THE SPECTATOR- PERFORMER FRAME IN PARALLEL.
          Authors: .


7.  FROM EFFECT TO AFFECT: NARRATIVES OF PASSIVITY AND MODES OF PARTICIPATION OF THE CONTEMPORARY SPECTATOR.
          Authors: .


8.  SEMIOTIC ANALYSIS, KINAESTHETIC IDENTIFICATION, SPECTATOR’S ENGAGEMENT: WHAT KIND OF RECEPTION FOR THE DANCE-THEATRE? / ANALYSE SÉMIOTIQUE, IDENTIFICATION KINESTHÉSIQUE, ENGAGEMENT DU SPECTATEUR : QUELLE RÉCEPTION POUR LA DANSE-THÉÂTRE ?.
          Authors: .


9.  TOWARDS EMBODIED SPECTATORSHIP.
          Authors: .


10.  THE THEATRICAL DOUBLE REFLEXIVITY COMPLEX: HOW THE SPECTATOR CREATES METATHEATRE.
          Authors: .


11.  DRAMATIC SPACE AND PERFORMER’S BODY, A CASE STUDY.
          Authors: .


12.  MUG SHOT: TRANSRACIALITY – ANALYSING THE RACE WITH RACE IN ART.
          Authors: .


13.  THE BATTLE FOR THE NEURON’S WINGS.
          Authors: .


14.  SPECTATORS OR PARTICIPANTS? A MAJOR CREATIVE SHIFT IN PERFORMING ARTS OR A CHANGE OF STATUS? (REMARKS ON A PROCESS).
          Authors: .


15.  WHO IS THE AUDIENCE? (AND WHAT IS THEATER?).
          Authors: MIHAI PEDESTRU.


16.  ALTERNATIVE THEATRE IN POLAND AND THE COMMUNIST DYSTOPIA.
          Authors: .


17.  THE CASTING OR THE TWO-HEADED SPECTATOR – A GIVE AND TAKE PROCESS.
          Authors: .


18.  “EACH OF US AT CRICOT-2 HAD THEIR OWN PERSONAL KANTOR” INTERVIEW WITH TERESA AND ANDRZEJ WEŁMIŃSKI, RENOWNED ACTORS OF THE CRICOT-2 THEATRE .
          Authors: EUGEN WOHL.


19.  PERFORMANCE, FILM AND BOOK REVIEWS.
          Authors: RALUCA SAS-MARINESCU, EUGEN WOHL, EUGEN WOHL.


 
     
 
 
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