Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA DRAMATICA - Issue no.2 / 2009 - Table of contents
     
     
 
1.  “FATE IS NEVER FINAL?” WHY MOVIES RE-ENACT RPG EXPERIENCES.
          Authors: MIRUNA RUNCAN.


2.  BEATING THE HELL OUT OF SADO-MASOCHISM? TOWARDS A CINEMA OF THE OPPRESSED THROUGH MICHAEL HANEKE’S FUNNY GAMES.
          Authors: MIHAI GĂDĂLEAN.


3.  MODELLING COMMUNICATION IN THE DIGITAL ERA.
          Authors: MIHAI PEDESTRU.


4.  ADAPTING SHAKESPEARE’S ADAPTATIONS IMAGE, CONTENT AND NARRATIVE PROBLEMS (AND SOLUTIONS) IN SHAKESPEARE’S ADAPTATIONS, A STUDY CASE ON ROMEO AND JULIET.
          Authors: DORU POP.


5.  WHAT IS THEATRICALITY? A BRIEF HISTORICAL COURSE / QU’EST-CE QUE LA «THEATRALITE» ? PETITE RECHERCHE HISTORIQUE .
          Authors: ȘTEFANA POP-CURȘEU.


6.  THEATRICAL COMMUNICATION AND THE RECEPTION OF THEATER PERFORMANCES. THEORIES OF RECEPTION. CASE STUDY: “KRUM, ECTOPLASM” AND THE MESSAGE’S RECONSTITUTION.
          Authors: RALUCA SAS-MARINESCU.


7.  THE CURSE OF THE HEDGEHOG (2004). AN ANTHROPOLOGICAL FILM BY DUMITRU BUDRALĂ.
          Authors: MIHAI ANDREI LEAHA.


8.  DRAMATIC ORCHESTRATION OF CONTEMPT / ORCHESTRATION DRAMATURGIQUE D’UN OUTRAGE .
          Authors: DARIA IOAN.


9.  SCENOGRAPHY-SCENE DESIGN THE ROLE OF THE SCENE DESIGNER IN THE DEVELOPMENT OF A PERFORMANCE.
          Authors: BIANCA IMELDA JEREMIAS.


10.  BALANTA/THE OAK (1992) - THE HISTORY OF A RECEPTION -.
          Authors: RAUL BOTHA.


11.  THE PRICE OF THE AMATEUR ROMANIAN PRODUCTIONS - THE NAE CARANFIL’ FILMS IMPACT ON THE VIEWER (BARELY) OUT OF ANONYMITY / LE PRIX DE L’AMATEUR DES PRODUCTIONS ROUMAINES – L’IMPACT DES FILMS DE NAE CARANFIL SUR LE SPECTATEUR (A PEINE) SORTI DE L’A.
          Authors: CAMELIA TOMA.


12.  RADIO DRAMA AND MIHAI ZIRRA.
          Authors: ALEXANDRA SOFONEA.


  
     
 
 
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