Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.1 / 2021 - Table of contents
     
     
 
1.  ORGANS IN TRANSYLVANIA PART 1 – THE ORGANS OF THE BAROQUE PERIOD.
          Authors: NOÉMI MIKLÓS.


2.  AN ANALYTICAL STUDY OF THE FOLK MUSICAL INSTRUMENTS OF MEGHALAYA.
          Authors: JOYANTA SARKAR, ANIL RAI.


3.  DEVELOPMENT OF CHILDREN’S SINGING VOICE.
          Authors: ANDREA ASZTALOS.


4.  PROPOSAL OF ACTIVITIES TO UNLOCK CREATIVITY USING REAPER SOFTWARE.
          Authors: ALEXANDRA BELIBOU.


5.  COGNITION OF MUSICAL INSTRUMENTS AS AN INTEGRAL PART OF MUSIC TEACHERS COMPETENCIES.
          Authors: RYTIS URNIEŽIUS.


6.  THE TOOLS OF MUSICOLOGY (A TALE IN 12 POLEMIC HYPOTHESES).
          Authors: OLEG GARAZ.


7.  CONCEPTS “MONUMENTAL” AND “MINIATURE” IN ART: HISTORY AND MODERNITY.
          Authors: MARYNA VARAKUTA, DARYNA KUPINA.


8.  DYNAMİCS OF THE LEVEL FORMATİON OF STYLE HİERARCHY İN MUSİCAL ART.
          Authors: YULIYA KAPLIYENKO-ILIUK.


9.  INFLUENCES OF CLASSICAL INDIAN MUSIC IN ALBERT ROUSSEL’S EVOCATIONS .
          Authors: NOÉMI KARÁCSONY, MĂDĂLINA DANA RUCSANDA.


10.  POLYPHONY IN THE CHORAL CREATION FOR EQUAL VOICES SIGNED BY DAN VOICULESCU.
          Authors: ELENA-LAURA GREAVU, ROXANA PEPELEA.


11.  STYLISTICS OF IMPRESSIONISM IN THE SONG CYCLES OF LESIA DYCHKO “PASTELS” AND “ENHARMONIC” ON THE POEMS BY PAVLO TYCHYNA.
          Authors: OKSANA PYSMENNA, SVITLANA MYSHKO, KATERYNA CHEREVKO.


12.  ARCHETYPAL DISCURSIVE TYPOLOGIES IN HETERO(SYM)PHONY BY CORNEL ȚĂRANU.
          Authors: MIRELA MERCEAN-ȚÂRC.


13.  MUSICAL EXEGESIS, IN THE TRANSYLVANIAN STYLE, COMPOSED BY DIMITRIE CUNTANU, AT OUR LORD’S BIRTH CATAVASIA.
          Authors: DANIEL MOCANU.


14.  MUSIC TO MY EAR: WILL BE ABLE TO RECOGNIZE THE MUSICAL NOTES BETTER WHEN USING ONLY THE LEFT EAR?.
          Authors: JOYANTA SARKAR, ANIL RAI.


15.  COMPARISON OF FOUR DIFFERENT WARM-UP TASKS, USING SPECIAL TOOLS ALSO.
          Authors: TAMÁS J. ALTORJAY, CSABA CSÍKOS.


16.  AN ANALYSIS OF THE PIANO SONATA IN C MINOR, OP. 4 BY FRÉDÉRIC CHOPIN.
          Authors: LIOARA FRĂŢILĂ.


17.  STRUCTURE OF THE VOCAL DISCOURSE OF THE CHARACTER LEONORA FROM THE OPERA "IL TROVATORE" BY GIUSEPPE VERDI.
          Authors: EDITH GEORGIANA ADETU.


18.  ‘HEBREW MELODY IN A MINOR, OP. 33’ BY JOSEPH ACHRON. THE DEHISCENCE OF TEMPORALITIES BETWEEN “{IN}-FLESH-IZATION” AND “HOLDING[S]-STILL” PHENOMENON IN MUSICALIZED MOURNFULNESS.
          Authors: MARIA ROXANA BISCHIN.


19.  «KADDISCH» BY RAVEL INTO THE HERMENEUTIC MIRRORS. AN INFINITE SONOROUS MIRROR OF THE HEBREW «ALAS» / «KADDISCH» PAR RAVEL DANS LES MIROIRS HERMENEUTIQUES. UN MIROIR SONORE INFINI DE L’HEBRAÏQUE «ALAS».
          Authors: MARIA ROXANA BISCHIN.


20.  MINUET - THE REMINISCENCE OF THE INDIVIDUAL DANCE FORM IN MAURICE RAVEL’S PIANO WORKS.
          Authors: BOGLÁRKA ESZTER OLÁH.


21.  EARLY (AVANT-GARDE) SYMPHONIES BY VALENTIN SILVESTROV AS A SOUND UNIVERSE.
          Authors: LIUDMYLA SHAPOVALOVA, ІRYNA ROMANIUK, MARIANNA CHERNYAVSKA, SVITLANA SHCHELKANOVA.


22.  BOOK REVIEW - THE AGES OF SOUND - ETHNOMUSICOLOGICAL CONCEPTS OF NICOLAE TEODOREANU / LES ÂGES DU SON - CONCEPTS ETHNOMUSICOLOGIQUES DE NICOLAE TEODOREANU.
          Authors: PETRUȚA MARIA COROIU.


  
     
 
 
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