Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.1 / 2019 - Table of contents
     
     
 
1.  THE ROLE OF CHURCH SCHOOLS IN MUSIC EDUCATION.
          Authors: JUDIT VÁRADI, GÁBOR DRAGONY.


2.  MUSICAL EXPRESSION AS A TOOL OF DRAMA-BASED PEDAGOGY IN BRECHT/WEILL & EISLER’S LEARNING-PLAYS.
          Authors: BENCE ASZTALOS.


3.  PENSIVENESS OF US: WHAT SHOULD WE SING?.
          Authors: ATTILA SMUTA.


4.  PRECONDITIONS FOR MANIFESTATION OF MUSIC TEACHERS’ PROFESSIONAL TYPES IN THE CONTEXT OF OCCUPATIONAL STRESS.
          Authors: DIANA STRAKŠIENĖ, RYTIS URNIEŽIUS.


5.  ONTOLOGICAL AND AESTHETIC QUALITIES OF A SINGING SOUND.
          Authors: TATYANA Y. GORDEEVA, ZAGID R. AZHIMOV, RAUSHANIA R. MIRNAYA, ALFIA RAFISOVNA VOZNESENSKAYA.


6.  THE THEORY AND PRACTICE OF OPERETTA ROLES.
          Authors: JORDÁN ÉVA-ELENA.


7.  THE SYMBOL OF THE SHADOW IN VERDI’S OTELLO.
          Authors: LETIȚIA GOIA, OANA MUREȘAN.


8.  STYLISTIC ASPECTS REFLECTED IN MODAL LITURGY BY DAN VOICULESCU.
          Authors: ELENA-LAURA GREAVU, ROXANA PEPELEA.


9.  JOHN RUTTER’S REQUIEM – BETWEEN ANGLICAN TRADITION AND FRENCH MUSICAL AESTHETICS.
          Authors: KRISZTIÁN KÁLLÓ.


10.  CHAMBER MUSIC EXPLORATIONS FOR MEDITATION.
          Authors: JÁNOS ZSOLT IMRE.


11.  THE IDEOLOGIZATION OF MUSIC IN THE STALINIST ERA.
          Authors: LOIS PAULA VĂDUVA.


12.  CRITICISM EVOLUTION IN ROMANIAN MUSICAL PERIODICALS: FROM GAZETA TEATRULUI NAȚIONAL (1835-1836) TO MUZICA (1908 – PRESENT).
          Authors: CRISTINA ŞUTEU.


13.  THE ODYSSEY OF A LOST AND FOUND ORATORIO.
          Authors: STELIAN IONAȘCU.


14.  SÁNDOR VERESS: FADING INTO OBLIVION.
          Authors: KRISZTIÁN KÁLLÓ.


15.  PUCCINI’S VERISMO AND INNOVATIVE STYLE THROUGH THE LENSE OF LA BOHÈME.
          Authors: ZSUZSANNA KÁLLÓ.


16.  MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM.
          Authors: BOGLÁRKA ESZTER OLÁH.


17.  DEAD DRAW? AN ENCOUNTER BETWEEN KURTÁG AND BECKETT: THE OPERA FIN DE PARTIE.
          Authors: BIANCA ŢIPLEA TEMEŞ.


18.  THE HISTORY OF THE TEXT AND MELODY OF THE GREGORIAN SEQUENCE LAUDA SION.
          Authors: ÁDÁM MIKE.


19.  THE TRADITION OF “CUNȚANU” CHURCH MUSIC BETWEEN THE ORALITY AND THE UNIFORMIZATION TRENDS.
          Authors: DANIEL MOCANU.


20.  MISSIONARY ASPECTS IN THE CHURCH MUSIC OF TODAY / MISSIONARISCHE VALENZEN DER KIRCHENMUSIK VON HEUTE.
          Authors: MIHAI BRIE.


21.  JOHANN SEBASTIAN BACH - THE ONLY FUNERAL CANTATA IN HIS WORKS: „GOTTES ZEIT IST DIE ALLERBESTE ZEIT”, BWV 106.
          Authors: PETRUȚA-MARIA COROIU.


22.  COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES.
          Authors: TÍMEA SZILVESZTER.


23.  BÉLA BARTÓK: “CONCERTO FOR ORCHESTRA”. ELEMENTS OF TURKISH FOLKLORE IN THE SOURCES OF A MASTERPIECE.
          Authors: BOGLÁRKA SZAKÁCS.


24.  LIVIU GLODEANU’S “MIKROKOSMOS”: AN INTRODUCTION.
          Authors: OLGUȚA LUPU.


25.  CHURCH AND SCHOOL – BIRTALAN JÓZSEF’S CREDO.
          Authors: ATTILA FODOR.


26.  EDE TERÉNYI: PLAY SONGS FOR CHILDREN’S CHOIR AND PERCUSSION INSTRUMENTS 1. LITTLE SUITE – COMPOSITION TECHNIQUE.
          Authors: GABRIELA COCA.


  
     
 
 
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