1.  THE UNIFYING POWER OF MUSIC IN MARSILIO FICINO’S VISIO / PUTEREA UNIFICATOARE A MUZICII ÎN VIZIUNEA LUI MARSILIO FICINO.

          Authors: STELA DRĂGULIN.

2.  THE EVOLUTION AND MULTICULTURALITY OF THE OPERETTA GENRE.

          Authors: STELA DRĂGULIN, RENATA VARI.

3.  THE ROLE OF THE HUNGARIAN ROMAN CATHOLIC CHURCH COMMUNITY SONG IN THE TRANSFORMATION PROCESS OF THE ARMENIAN LITURGICAL REPERTOIRE IN TRANSYLVANIA.

          Authors: ÁGOTA BODURIAN, STELA DRĂGULIN.

4.  THE “WILD BEAUTY” OF BRAHMS’S RHAPSODIES, OP. 79. STRUCTURAL ANALYSIS AND COMPARATIVE ANALYSIS OF PERFORMANCES.

          Authors: SEBASTIAN SHWAN, STELA DRĂGULIN.

5.  SIGNIFICANT PERSONALITIES AS TURNING POINTS IN THE LIFE AND MUSIC OF JOHANNES BRAHMS.

          Authors: STELA DRĂGULIN, SEBASTIAN SHWAN.

6.  VOCAL DEPERSONALIZATION IN SCAT SINGING.

          Authors: LUIZA ZAN, STELA DRĂGULIN.

7.  INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION.

          Authors: STELA DRĂGULIN, MIHAELA ITIGAN.

8.  VOCAL IMPROVISATION – A COGNITIVE AND A PSYCHOLOGICAL PROCESS.

          Authors: STELA DRĂGULIN, LUIZA ZAN.

9.  EXPLORING CHINESE CULTURAL IDENTITY IN THE LIANG ZHU VIOLIN CONCERTO: AN INTERCULTURAL PERSPECTIVE ON THE ADAPTATION OF TRADITIONAL ELEMENTS IN WESTERN CLASSICAL MUSIC LANGUAGE.

          Authors: STELA DRĂGULIN, MARIA-MAGDALENA SUCIU.