1.  ON DOUBLE – WORKING OF THE VERBAL DIATHESIS IN THE JUDGEMENTS. THE NECESSITY IN ESTABLISHING A JUDICATIVE DIATHESIS INTO THE VERB FROM A PHENOMENOLOGICAL POINT OF VIEW.

2.  THE REALITY OF THE SUBSTANCE’S PARALOGISM IN VIOLIN MUSIC, THE „CHACONNE IN G MINOR” CASE. A PHENOMENOLOGIC CIRCULARITY ON THE IDEA OF ‚BEAUTY’ IN THE SOUNDS – THE LINE BACH – VITALI - HEIFETZ.

3.  THE CHANGING OF THE AESTHETIC BALLET’S SPHERE IN THE INTERWAR PERIOD. BETWEEN THE DECONSTRUCTION OF OSKAR SCHLEMMER’S BALLET AND THE IDEA OF “GEBRAUCHMUSIK” OF PAUL HINDEMITH – AN IMAGISTIC ALLEY FROM OSKAR SCHLEMMER TO CÉLINE DION [1922-2019].

4.  THE ʻMALAPARTISM ̓ – A MUSICALIZED «PLEURESEMENT»: CURZIO MALAPARTE, ALBERTO MORAVIA, ADALBERTO LIBERA AND THE ARCHITECTURAL STRUCTURES OF THE ʻBEINGNESSʼ.

5.  [CO]EXISTENCE AS INTERSENSORIALITY IN THE SYMPHONIES OF HAVASI BALÁZS.