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    Detalii autor  
           
  Nume autor:   MIRUNA RUNCAN    
       
           
  01-12-2024     
      
 
    Articole cu acelaşi autor  
         
 
1.  THE MORPHOLOGY OF THE SPECTATOR (1).
          Autori: MIRUNA RUNCAN.

2.  THE LEGISLATION OF FREEDOM OF INFORMATION.
          Autori: MIRUNA RUNCAN.

3.  THE MORPHOLOGY OF THE SPECTATOR (2) REINVENTING THE PLAYWRITING IN ROMANIA 2000: REINVENTING AUDIENCES?.
          Autori: MIRUNA RUNCAN.

4.  BOOK, PERFORMANCE & FILM REVIEWS: HYBRIS AND IDENTITY: MIDDSUMMER’S NIGHT DREAM.
          Autori: MIRUNA RUNCAN.

5.  BOOK, PERFORMANCE & FILM REVIEWS: PERFORMING LITERATURES INTERNATIONAL CONFERENCE, CIRTT, UNIVERSITY OF LEEDS.
          Autori: MIRUNA RUNCAN.

6.  THE UNDERGROUND PARADISE OF THE 60S .
          Autori: MIRUNA RUNCAN.

7.  BOOK, PERFORMANCE & FILM REVIEWS: THE DEAD PERFORMANCE, THE CAPTIVE SPECTATOR AND THE FREEDOM OF (NOT) GOING TO THEATRE.
          Autori: MIRUNA RUNCAN.

8.  EVERYDAY LIFE DRAMA: AN INTERDISCIPLINARY PROJECT IN PROGRESS.
          Autori: C.C. BURICEA-MLINARCIC, MIRUNA RUNCAN.

9.  “FATE IS NEVER FINAL?” WHY MOVIES RE-ENACT RPG EXPERIENCES.
          Autori: MIRUNA RUNCAN.

10.  IMMIGRATION AS A CULTURAL INVESTMENT.
          Autori: MIRUNA RUNCAN.

11.  SPECTATORSHIP: FROM EVERYDAY LIFE DRAMA TO THEATRICALITY (1).
          Autori: MIRUNA RUNCAN.

12.  CHRONICLES, REVIEWS: THE CORRIDOR, THE GIRDER AND THE RE-READING EXPERIMENT.
          Autori: MIRUNA RUNCAN.

13.  CHRONICLES, REVIEWS: OLIVER SACKS, THE MAN WHO MISTOOK HIS WIFE FOR A HAT.
          Autori: MIRUNA RUNCAN.

14.  CHRONICLES, REVIEWS: DIANA COZMA, THE PLAYWRIGHT – PRACTITIONER.
          Autori: MIRUNA RUNCAN.

15.  CHRONICLES, REVIEWS: MILENA DELEVA, THE STRUCTURE OF THE TECHBOLOGICAL PARK. BULGARIA. CASE STUDY.
          Autori: MIRUNA RUNCAN.

16.  CHRONICLES, REVIEWS: DAVID ZINDER, BODY-VOICE–IMAGINATION. A TRAINING FOR THE ACTOR.
          Autori: MIRUNA RUNCAN.

17.  CHRONICLES, REVIEWS: MARIANNE MCDONALDS, SING SORROW: CLASSICS, HISTORY, AND HEROINES IN OPERA.
          Autori: MIRUNA RUNCAN.

18.  CHRONICLES, REVIEWS: CARIDAD SVICH, TRANS-GLOBAL READINGS. CROSSING THEATRICAL BOUNDARIES.
          Autori: MIRUNA RUNCAN.

19.  THE HUMAN TOUCH – ON THE EVOLUTION OF THE SOCIALLY ENGAGED THEATRE .
          Autori: MIRUNA RUNCAN.

20.  STRATEGIES FOR THE EMBODIMENT AND DISEMBODIMENT OF SPECTATORSHIP: DON’T CRY BABY AND HOTEL BY EUGEN JEBELEANU.
          Autori: MIRUNA RUNCAN.

21.  BOOK REVIEW - INDEPENDENT… FROM WHOM? INDEPENDENT... FROM WHAT? ABOUT INDEPENDENCE AS PROCEDURE.
          Autori: MIRUNA RUNCAN.

22.  ARGUMENTS FOR A HISTORICAL EXAMINATION OF THE DISCOURSE OF THEATRE AND FILM CRITICISM .
          Autori: MIRUNA RUNCAN.

23.  THE CORONATION OF “THE ACCOMPANYING COMRADE” SICĂ ALEXANDRESCU – A CASE STUDY.
          Autori: MIRUNA RUNCAN.

24.  “I’VE ALWAYS BELIEVED THAT A CRITICAL SPIRIT COMES WITH CREATIVE FEATURES” - INTERVIEW WITH CRISTINA MODREANU, THEATRE CRITIC, CURATOR, EDITOR IN CHIEF OF SCENA.RO MAGAZINE.
          Autori: MIRUNA RUNCAN.

25.  BOOK REVIEW - NEW DRAMATIC STRUCTURES, NEGOTIABLE IMAGINARY SPACES. ON ASSUMING THE EXPERIMENTAL CONDITION.
          Autori: MIRUNA RUNCAN.

26.  ROMANIAN THEATRE AS PUBLIC SERVICE. A CRITICAL PERSPECTIVE OF THE LAST DECADES.
          Autori: MIRUNA RUNCAN.

27.  THE RHETORICAL AND STYLISTIC EVOLUTION OF THEATRE REVIEWS AT THE END OF THE 50S. THE DISOBEDIENT – CASE STUDY.
          Autori: MIRUNA RUNCAN.

28.  SOCIOLOGY AND THEATRE, A TOO SHORT BEGINNING. PAVEL CÂMPEANU’S STUDIES.
          Autori: MIRUNA RUNCAN.

29.  TEATRUL JOURNAL, BETWEEN NORMS AND EMANCIPATION. THE YEARS OF THE THAW AND THOSE OF THE NEW FREEZE.
          Autori: MIRUNA RUNCAN.

30.  RESISTANCE THROUGH CULTURE. SATIRICAL STUDENT GROUPS OF THE LAST DECADE OF COMMUNISM AND THE SILENCE OF THEATRE CRITICS.
          Autori: MIRUNA RUNCAN.

31.  THE ACTIVE ARCHIVE: INTERVIEW WITH FILM CRITIC ANDREI RUS.
          Autori: MIRUNA RUNCAN.

 
         
     
         
           
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