The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.

 
       
         
    STUDIA PHILOSOPHIA - Issue no. 1 / 2010  
         
  Article:   BEYOND THE VISIBLE OR THE ABSTRACTION IN ART / L’AU-DELÀ DU VISIBLE OU L’ABSTRACTION DANS L’ART.

Authors:  .
 
       
         
  Abstract:  Visible seems to be fundamental in masterpiece. However phenomenological thinking often considers invisible as being essential. The masterpiece offers the viewer the opportunity to “see” the own view (E. Ecoubas), to live the “feeling of life” (M. Henry) or to “feel” the moment the phenomenon appears (H. Maldiney). Analysis on some of K. Malevitch’s writings reveals the fact that the Russian artist himself conceived art as a way of searching interiority and self-retrieval. The text of the Suprematist manifest of 1915 describes almost in the same terms as those of mystical writings the act of detaching progressively from the real world and keeping only the “sensitivity” perceived as pure living.

Keywords: Invisible, phenomenology, art, K. Malevitch’s writings, mystical writings
 
         
     
         
         
      Back to previous page