AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 4 / 2018 | |||||||
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SAMUEL BECKETT AND MONOLOGUE DRAMA: PERFORMING THE SELF. Authors: EUGEN RADU WOHL. |
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Abstract: Samuel Beckett and Monologue Drama: Performing the Self. The paper discusses four of Samuel Beckett’s monologue plays “Krapp’s Last Tape” (1958), “Play” (1964), “Breath” (1969), “Not I” (1972) and “A Piece of Monologue” (1979), with the purpose of delineating their structure and understanding the playwright’s experimental usage of this artistic genre, as well as its role within his overall dramatic corpus. We will attempt a historical and analytical foray into the many uses of the concept of monologue in both literature and theatre, with the intention to clarify its various appropriations in these fields and with the hope of eliciting further research into this important topic of analysis. Keywords: Samuel Beckett, dramatic monologue, monologue drama, fractured discourse, performance.
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