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    STUDIA PHILOLOGIA - Issue no. 1 / 2019  
         
  Article:   FLICKER.

Authors:  CONSTANTINA RAVECA BULEU.
 
       
         
  Abstract:  
Flicker. Theodore Roszak’s sophisticated and extreme long novel Flicker, published in 1991, resonates in many ways with the masterpieces of the cryptographic thriller tradition, like Umberto Eco’s Il nome della rosa (1980) or Dan Brown’s Da Vinci Code (2003). Its core lies in the conspiracy theories, due a fictional plot driven from the deep shadows of the world of cinematography. By doing some research, a UCLA film scholar comes across the films made by a rather allusive American director protected by a secret organization. The director’s hidden biography takes us back to the interwar Germany, making the scholar to discover that his subject’s films contain hidden messages that can be deciphered by means of a special device.

Keywords: Theodore Roszak, Flicker, counterculture, the Sixties, cinema, cryptographic novels
 
         
     
         
         
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