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    STUDIA PHILOLOGIA - Issue no. 1 / 2007  
         
  Article:   ZUR THEATRALITÄT DES FILMISCHEN. INTERMEDIALE BRÜCHE UND VERÄNDERUNGEN DES RUMÄNISCHEN GEGENWÄRTIGEN KURZFILMES / THE THEATRICALITY OF FILM. INTERMEDIAL BREAKS AND TRANSFORMATIONS IN THE CONTEMPORARY ROMANIAN SHORT FILMS.

Authors:  ALEXANDRA VLAD. 		 
       
         
  Abstract:  The Theatricality of Film. Intermedial breaks and transformations in the contemporary Romanian short films. The study broaches the issues of constitution and representation of a „société du spectacle” regarding the contemporary Romanian short films. Starting from an extended concept of theater as a dynamic process implemented both inside and outside it, the central assumption behind this approach is that the Romanian contemporary cinematography is using meta-theatrical methods in order to stage the reality. Moreover, the study tries to emphasize the fact that there is an aesthetic mutation and a development of Romanian cinematography after the post-revolutionary rupture, realized both through the interaction of theatrical and cinematic elements and techniques.  
         
     
         
         
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