AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: INNA LISNIAK, TETIANA CHERNETA, IRYNA TUKOVA.
DOI: 10.24193/subbmusica.2022.spiss1.01
Published Online: 2022-07-10
Published Print: 2022-07-30
pp. 7-20
VIEW PDF
FULL PDF
Abstract: The article comprehensively examines antinomies of the amateur performance development in Ukraine of 1930s. The factual basis of the research is the materials of the newspapers, magazines, and musical journals of this period. It is proved that the phenomenon of amateur performance, as one of the most significant phenomena of totalitarian society’s mass culture, consists in its contradictory nature: on the one hand, mass artistic movement, population’s sincere faith and enthusiasm, and on the other, politicization, ideological engagement, fear of physical destruction. The actions of the Soviet authorities in the one of most dramatic periods of the last century for Ukraine – the 1930s – regarding the dissemination and support of musical amateur music are analyzed (for example, regular financial support, awarding of bonuses, patronage, organization of public events, set-up of publishing activities, training systems for amateur performance leaders, which, in general, contributed to raising musical amateur movement in Ukraine to a professional level). At the same time, it is found that amateur performance was one of the tools for shaping the ideology of a totalitarian society.
Key words: Ukrainian culture of 1930s, amateur performance, totalitarian society, politicization of art.
