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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2012 | |||||||
Article: |
THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE. Authors: ÉVA PÉTER. |
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Abstract: At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. In 1979 a representative volume entitled Hungarian Psalms edited by Sándor Arany was created, a volume that contained the adaptations. Selecting from this volume I would mention Jenő Ádám’s 8. Psalm, Lajos Bárdos’s 23. Psalm, Zoltán Kodály’s 50. Psalm and 114. Psalm. Keywords: psalms in prose, paraphrases of psalms, genevan psalms, cantus-firmus-motetta technique, polyphonic imitation technique. |
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