AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2010 | |||||||
Article: |
PIANO GAMES BY EDUARD TERÉNYI, A LANDMARK AMONG THE SEMEIOGRAPHIC INNOVATIONS OF THE 20TH CENTURY. Authors: . |
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Abstract: The piano creation of the composer Eduard Terényi sums up the composing experiences that are derived from successive conceptual accumulations that are enlisted in the complex process of the transformations and makings of the artistic language of the twentieth century music. The novelty of his musical works comes in this way through a total reviewing of the way of organizing of the sonorous substance where frequently the sonorous parameters seems to be freed by the rigours of the traditional conventions. The innovative attitude both in a semi graphic area and also into the depths of the sonorous view prove that the author prefigures a composing trajectory from the modernism and not from the tradition that explains why the tools that he uses to operate on are, in many respects a surprise. Keywords: piano, semeiography, sonorous parameters, effects, improvisation |
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