AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2020 | |||||||
Article: |
THE SEMANTICS OF FRANZ LISZT’S PIANO THRENODIES WITHIN THE CONCEPT OF PASSION. Authors: ALONA BORSHULIAK. |
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Abstract: DOI: 10.24193/subbmusica.2020.1.12 Published Online: 2020-06-30 Published Print: 2020-06-30 pp. 169-182 VIEW PDF: FULL PDF ABSTRACT: The interpretation of a musical work in modern performance arises as an acute problem that causes discussion. Thanks to the theory of analysis, it is possible to obtain a variety of analytical interpretations of a musical text. Semantic analysis appears as one of the main and most promising methods of decoding the semantic structures of the works of later Franz Liszt’s period. The composer creates a new genre – a mournful piece or a threnody, through which he was able to express painful feelings about tragic events. Liszt most actively uses the symbols of passion in the late period of creative life. Passion is interpreted as a phenomenon that takes over the properties of the genre of passions and transforms them into the principle of thinking, reasoning and dramatic art. In piano threnodies, musical-rhetorical pieces of passion express something secret, sacred, and sometimes tragic, and the symbols of the passion nature of the threnodies reflect Liszt’s tragic outlook in his late years. Consequently, immersion in the semantic depth of the threnodies in the context of the concept of passion allows both instrumentalist performers and teachers to reveal the multidimensionality of the complex of eternal problems in a new way that contribute to the birth of a new meaning. Key words: threnody, phenomenon of passion, musical symbols, principle of thinking, semantic perspective |
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