AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: EMANUELA-FABIOLA PRIP.
DOI: 10.24193/subbmusica.2020.1.05
Published Online: 2020-06-30
Published Print: 2020-06-30
pp. 69-79
VIEW PDF: FULL PDF
ABSTRACT: In this short study, we aim to define the typologies of the sonata form in the music of the Baroque period, alongside the perspective of some well-known authors (Charles Rosen, James Webster or William Newman) and to propose two analyses – the Sonata in G minor, K. 450 composed by D. Scarlatti and part I from the Sonata in A major, Wq. 55/4 by C. Ph. E. Bach. An interesting point of this study is the connection and the transition from the monothematic sonata form to the bithematic sonata form.
Key words: Baroque, Sonata form, analyses, D. Scarlatti, C. Ph. E. Bach
