AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: ALEXANDRU-ȘTEFAN MURARIU.
DOI: 10.24193/subbmusica.2017.1.06
Published Online: 2017-06-20
Published Print: 2017-06-30
pp. 83-94
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ABSTRACT:
The present study proposes an insight of the use of space by composers worldwide during several centuries. From the first appearances dated in the Renaissance period until our days, space has been used in a many ways and this aspect inspired composers from all the important periods of time. From Giovanni Gabrieli to Beethoven or Mozart, from Mahler to Henry Brant or Kurtág, each composer exploited space in many ways in order to harness their visions on both programmatic and concrete music. In our days, a very important role in the development process of spatialized music is given to the electro-acoustic trend which expanded in many ways throughout the important studios in Europe and United States. Other important features in this field of music is the sound scaping trend. Numerous artists are looking to extract as much possible from a specific space by recording or exploiting its acoustics and aural architecture.
Keywords: spatialization, sound, placement.
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