AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: ISTVÁN ANGI.
DOI: 10.24193/subbmusica.2017.1.04
Published Online: 2017-06-20
Published Print: 2017-06-30
pp. 63-76
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ABSTRACT:
The domain of interest represented by the paintings and other artforms of Dobribán Emil, is defined mainly by the so called Landart stream. This short introspection presents some works opened to public on the exhibition entitled Mondo Cane (2016). His works, in general, can be characterized as a fine tuned outcry against our destructive society, which disregards entirely our mother nature. The analysis of works presented here, represent a sum of memory based associations, generated by ideas that stimulates us to cultivate our spiritual world – in the restrictiveness of understanding – towards beautiful and right goals.
Keywords: Dobribán Emil, Mondo Cane, Landart, indignation, creation in nature, silhouette, clair-obscure, associations.
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