AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2016 | |||||||
Article: |
TIME IN MUSICAL ART: CATAPHATIC AND APOPHATIC ASPECTS. Authors: . |
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Abstract:
Time represents the fundamental dimension of human existence, implicitly of any human enterprise. Everything man does is articulated in time and depends on time, having a specifically temporal unfolding, with consequences on the flowing time axis. Defining temporality and its conditions for existence is very difficult, it is an undertaking thousands of years old, with many attempts that only partially covered the aspects it supposes. Time is one of the fundamental concepts of science and of Philosophy. The two fields can be assimilated to the analysis of two aspects: cataphatic (objective) and apophatic (subjective) – with important consequences in Bach’s Missa BWV 232. Keywords: time, discourse, music, cataphatic, apophatic.
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