The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.

The Mother Goose suite is not only one of Ravel’s most beloved works, but also a paradigmatic manifestation of his artistic thought. Composed in his impressionistic period, these musical tales reflect the composer’s dialog with several contemporary trends, like symbolism, neoclassicism or futurism, trends manifested as distinct periods of his output. In this sense, the suite form and genre appear as an optimal medium in expressing the variety in the limits of coherence. By evocating the fantastic universe of tales, Ravel reveals his childish, sensitive personality and aesthetic credo focused on the permanent aspiration to Beauty, and melancholy, as well as the fear of losing it. These principles adopted from the views of his mentor, E. A. Poe, appear in his art through a continuous pursuit of perfection, balance, compositional sophistication and refinement, elegance, playfulness and illusionism. Ravel’s motto – complexe mais pas compliqué – perfectly fits this suite, demonstrating once more, as a creative challenge, that the simplicity and richness of expression are not opposite concepts. Our study is focused on revealing the message and value configuration of the Mother Goose suite, analyzing both in a stylistic and aesthetic sense its expression devices.

Keywords: Mother Goose, fairy tales, suite, ballet, aesthetic values, Beauty, melancholy