AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 2 / 2021 | |||||||
Article: |
PERFORMANCE REVIEW: (IN)CORECT, PLAY AND DIRECTING BY LETA POPESCU, STAGE DESIGN BY LUCIA MĂRNEANU, WITH ALEXANDRA CARAS, CĂTĂLIN FILIP, OANA MARDARE, ALINA MIȘOC, EMŐKE PÁL, PAUL SEBASTIAN POPA, LUCIAN TEODOR RUS, DORU TALOȘ. A PRODUCTION OF REACTOR DE CREAȚIE ȘI EXPERIMENT, CLUJ-NAPOCA, ROMÂNIA, 2020.. Authors: ANA MARIA ȚÎRLEA. |
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Abstract: Published Online: 2021-10-30 Published Print: 2021-10-30 pp. 231-234 VIEW PDF FULL PDF Cluj-Napoca, February 2020. The independent artistic team Reactor de Creație și Experiment continue their multiannual programme started in 2019, Decalaj. Narațiuni intergeneraționale (Gap. Intergenerational Narratives). This time, however, the project coincides with the last performance of the trilogy Colaj (Collage) by director Leta Popescu. Began at the Hungarian State Theatre Cluj in 2018 with the performance (In)vizibil (In/visible), a collage of texts on loneliness by Romanian and Hungarian contemporary authors, continued at the Timișoara National Theatre with (In)credibil (In/credible), a collage of the director’s own texts and writings on failure signed by Mihaela Michailov, Peca Ștefan, and Elise Wilk, Leta Popescu''s directing project brings the collage closer to the concept of a broken mirror in which the spectator can identify as many perspectives as allowed by imagination. |
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