AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: MIRUNA RUNCAN.
DOI: 10.24193/subbdrama.2021.2.08
Published Online: 2021-10-30
Published Print: 2021-10-30
pp. 111-134
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In the ‘80s, satirical student groups, the so-called artistic brigades, were one of the most dynamic subversive artistic phenomena against the communist system. This paper aims to shine a light on the dimension of this phenomenon, to find explanations for the apparently privileged status enjoyed by such groups, as well as to clarify the reasons why theatre critics of the time so stubbornly ignored them.
Keywords: theatre, cultural policies, camps humour, political humour, theatre criticism
