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    STUDIA DRAMATICA - Issue no. 2 / 2017  
         
  Article:   TO CURATE A PART OF ONE’S SOUL. TRANSPLANTING A PERFORMANCE IN THREE (RADICALLY) DIFFERENT SPACES.

Authors:  RALUCA LUPAN.
 
       
         
  Abstract:  
DOI: 10.24193/subbdrama.2017.2.10

Published Online: 2017-10-31
Published Print: 2017-10-31

pp. 173-186

VIEW PDF: TO CURATE A PART OF ONE’S SOUL

The curating process of a performance like 4.48 Psychosis by Sarah Kane constitutes a reflection of a round, back and forward act of doubt and belief. A suitable or a malicious managerial decision in chancing a given data in the performance can determine the path and the course of the show. Every act or management action can alter the channels of communicating with the audience and its perception and reception of the performance.

Keywords: curating, interaction, independent theatre, space, distance, audience.

References

Budău-Tunyagi, Ozana. “The Psychological Mechanism of Trauma and Its Effects on Sarah Kane’s Experimental Theater.” Studia UBB Dramatica LIX, no. 2 (2014).
Gabriel, Sandu. “De Ce Teatrele Românești Sunt Conduse de Actori Și Regizori Cu Mandate Infinite [Why Romanian Theater Institutions Are Managed by Actors and Directors with Infinite Mandates].” Vice, February 2, 2016. https://www.vice.com/ro/article/de-ce-teatrele-romanesti-sunt-conduse-de-actori-si-regizori-cu-mandate-infinite-577.
Pavis, Patrice. Dictionary of the Theatre, Terms, Concepts and Analysis. Toronto: University of Toronto Press, 1998.
Sierz, Aleks. In-Yer-Face Theatre: British Drama Today. London: Faber & Faber, 2001.
“What Is in-Yer-Face Theatre?” In-yer-face Theatre. Accessed July 9, 2017. http://www.inyerfacetheatre.com/what.html
 
         
     
         
         
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