AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: ALEXANDRA EMMA PEDESTRU.
DOI: 10.24193/subbdrama.2017.2.03
Published Online: 2017-10-31
Published Print: 2017-10-31
pp. 51-68
VIEW PDF: ROMANIAN THEATRE CRITICISM DURING THE STALINIST ERA
The purpose of this paper is to capture the way theatre criticism changed once the communist regime was finally established in Romania. The focus is on the years of Stalinist reign, as they might be considered the most oppresive, especially in the cultural domain. The article aims, on one hand, to draw a historical context in which the change occured, while, on the other, it analyzes the various ways Socialist Realism affected critical thinking, substituting aesthetics for ideology in drama reviews and forcing critics to concentrate almost obsessively on the dramaturgy, in the detriment of the performance itself.
Keywords: Stalinism, Socialist Realism, criticism, textocentrism, ideology, aesthetics.
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