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Authors: IOAN POP-CURŞEU.
VIEW PDF: DADA ET LE CINÉMA: VOYAGE AU CŒUR DU LANGAGE
Dada and Cinema: History(-ies), (Anti-)Aesthetics, Language. This paper tries to propose a survey of the Dadaist cinema, from a historical and (anti-) aesthetical point of view, with an accent on great authors such as Man Ray, René Clair and Marcel Duchamp. Some major characteristics of Dadaist cinema are discussed here, such as the formal innovations, the tendency to abstraction (Hans Richter, Viking Eggeling), the special effects, as well as a main theme, which is the criticism of bourgeois society (in Entracte – Intermission by René Clair, 1924). An important focus is put on the question of language in Dadaism in general and in cinema in particular. The work of Marcel Duchamp, Anémic cinéma, is seen as a paradigmatic reflection on the condition of language and on its always changing significations.
Keywords: Dadaism, cinema, history, (anti-)aesthetics, language, Man Ray, René Clair, Marcel Duchamp.
References:
Aristarco Guido, Cinematografia ca artă. Istoria teoriilor filmului, Bucureşti, Meridiane, 1965.
Ball Hugo, Dada à Zurich. Le mot et l’image (1916-1917), Traduction de l’allemand et notes de Sabine Wolf, Nouvelle edition revue et corrigée, Paris, Les Presses du réel, 2006.
Bruce Elder R., « Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of Absolute Film », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 3-53.
Bruce Elder R., Film and Avant-garde Art Movements in the Early Twentieth Century, Wilfrid Laurier University Press, 2008.
Chéroux Clément, « Tzara, fil rouge du photogramme à travers l’Europe », in Tristan Tzara, l’homme approximatif. Poète, écrivain d’art, collectionneur, Musées de la ville de Strasbourg, 2015, pp. 243-257.
Gale Matthew (ed.), Dali & film, Londres, Tate Publishing, 2007.
Hagener Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939, Amsterdam University Press, 2007.
Hentea Marius, Tata Dada. Adevărata viaţă şi celestele aventuri ale lui Tristan Tzara, Bucureşti, Tracus Arte, 2016.
Hoffmann Justin, « Hans Richter, Munich Dada and the Munich Republic of the Workers’ Council », in Stephen C. Foster (éditeur), Hans Richter : activism, modernism, and the avant-garde, MIT Press, 1998, pp. 48-71.
Knowles Kim, A Cinematic Artist. The Films of Man Ray, Peter Lang, 1976.
Kuenzli Rudolf (ed.), Dada and Surrealist Film, MIT Press, 1996.
Kuenzli Rudolf E., « Man Ray’s Films: From Dada to Surrealism », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 93-104.
Thomkins Calvin, The World of Marcel Duchamp 1887-1968, New York, Time-Life Books, 1966.
Wild Jennifer Jane, « L’Imagination cinémentale ». The Cinematic Impression on Avant-Garde Art in France 1913-1929, PhD Thesis, University of Iowa, 2006.
Aristarco Guido, Cinematografia ca artă. Istoria teoriilor filmului, Bucureşti, Meridiane, 1965.
Ball Hugo, Dada à Zurich. Le mot et l’image (1916-1917) , Traduction de l’allemand et notes de Sabine Wolf, Nouvelle edition revue et corrigée, Paris, Les Presses du réel, 2006.
Bruce Elder R., « Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of Absolute Film », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 3-53.
Bruce Elder R., Film and Avant-garde Art Movements in the Early Twentieth Century, Wilfrid Laurier University Press, 2008.
Chéroux Clément, « Tzara, fil rouge du photogramme à travers l’Europe », in Tristan Tzara, l’homme approximatif. Poète, écrivain d’art, collectionneur, Musées de la ville de Strasbourg, 2015, pp. 243-257.
Gale Matthew (ed.), Dali & film, Londres, Tate Publishing, 2007.
Hagener Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939, Amsterdam University Press, 2007.
Hentea Marius, Tata Dada. Adevărata viaţă şi celestele aventuri ale lui Tristan Tzara, Bucureşti, Tracus Arte, 2016.
Hoffmann Justin, « Hans Richter, Munich Dada and the Munich Republic of the Workers’ Council », in Stephen C. Foster (éditeur), Hans Richter : activism, modernism, and the avant-garde, MIT Press, 1998, pp. 48-71.
Knowles Kim, A Cinematic Artist. The Films of Man Ray, Peter Lang, 1976.
Kuenzli Rudolf (ed.), Dada and Surrealist Film, MIT Press, 1996.
Kuenzli Rudolf E., « Man Ray’s Films: From Dada to Surrealism », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 93-104.
Thomkins Calvin, The World of Marcel Duchamp 1887-1968, New York, Time-Life Books, 1966.
Wild Jennifer Jane, « L’Imagination cinémentale ». The Cinematic Impression on Avant-Garde Art in France 1913-1929, PhD Thesis, University of Iowa, 2006.
Published Online: 2016-10
References:
Aristarco Guido, Cinematografia ca artă. Istoria teoriilor filmului, Bucureşti, Meridiane, 1965.
Ball Hugo, Dada à Zurich. Le mot et l’image (1916-1917), Traduction de l’allemand et notes de Sabine Wolf, Nouvelle edition revue et corrigée, Paris, Les Presses du réel, 2006.
Bruce Elder R., « Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of Absolute Film », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 3-53.
Bruce Elder R., Film and Avant-garde Art Movements in the Early Twentieth Century, Wilfrid Laurier University Press, 2008.
Chéroux Clément, « Tzara, fil rouge du photogramme à travers l’Europe », in Tristan Tzara, l’homme approximatif. Poète, écrivain d’art, collectionneur, Musées de la ville de Strasbourg, 2015, pp. 243-257.
Gale Matthew (ed.), Dali & film, Londres, Tate Publishing, 2007.
Hagener Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939, Amsterdam University Press, 2007.
Hentea Marius, Tata Dada. Adevărata viaţă şi celestele aventuri ale lui Tristan Tzara, Bucureşti, Tracus Arte, 2016.
Hoffmann Justin, « Hans Richter, Munich Dada and the Munich Republic of the Workers’ Council », in Stephen C. Foster (éditeur), Hans Richter : activism, modernism, and the avant-garde, MIT Press, 1998, pp. 48-71.
Knowles Kim, A Cinematic Artist. The Films of Man Ray, Peter Lang, 1976.
Kuenzli Rudolf (ed.), Dada and Surrealist Film, MIT Press, 1996.
Kuenzli Rudolf E., « Man Ray’s Films: From Dada to Surrealism », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 93-104.
Thomkins Calvin, The World of Marcel Duchamp 1887-1968, New York, Time-Life Books, 1966.
Wild Jennifer Jane, « L’Imagination cinémentale ». The Cinematic Impression on Avant-Garde Art in France 1913-1929, PhD Thesis, University of Iowa, 2006.
Aristarco Guido, Cinematografia ca artă. Istoria teoriilor filmului, Bucureşti, Meridiane, 1965.
Ball Hugo, Dada à Zurich. Le mot et l’image (1916-1917) , Traduction de l’allemand et notes de Sabine Wolf, Nouvelle edition revue et corrigée, Paris, Les Presses du réel, 2006.
Bruce Elder R., « Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of Absolute Film », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 3-53.
Bruce Elder R., Film and Avant-garde Art Movements in the Early Twentieth Century, Wilfrid Laurier University Press, 2008.
Chéroux Clément, « Tzara, fil rouge du photogramme à travers l’Europe », in Tristan Tzara, l’homme approximatif. Poète, écrivain d’art, collectionneur, Musées de la ville de Strasbourg, 2015, pp. 243-257.
Gale Matthew (ed.), Dali & film, Londres, Tate Publishing, 2007.
Hagener Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939, Amsterdam University Press, 2007.
Hentea Marius, Tata Dada. Adevărata viaţă şi celestele aventuri ale lui Tristan Tzara, Bucureşti, Tracus Arte, 2016.
Hoffmann Justin, « Hans Richter, Munich Dada and the Munich Republic of the Workers’ Council », in Stephen C. Foster (éditeur), Hans Richter : activism, modernism, and the avant-garde, MIT Press, 1998, pp. 48-71.
Knowles Kim, A Cinematic Artist. The Films of Man Ray, Peter Lang, 1976.
Kuenzli Rudolf (ed.), Dada and Surrealist Film, MIT Press, 1996.
Kuenzli Rudolf E., « Man Ray’s Films: From Dada to Surrealism », in Avant-Garde Film, Edited by Alexander Graf and Dietrich Scheunemann, Amsterdam-New York, Rodopi, 2007, pp. 93-104.
Thomkins Calvin, The World of Marcel Duchamp 1887-1968, New York, Time-Life Books, 1966.
Wild Jennifer Jane, « L’Imagination cinémentale ». The Cinematic Impression on Avant-Garde Art in France 1913-1929, PhD Thesis, University of Iowa, 2006.
Published Online: 2016-10
