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Authors: PETRE RAILEANU.
VIEW PDF: DADA FAIT SON CINÉMA
Dada Makes a Fool of Itself. The theatre is part of the genetic code of Dadaism. The term “theatreˮ is understood here in all the senses of its semantic family: spectacle, representation, game, mise en scène and also interaction with the audience. The dialogue is essential, but also the stage design, the costumes and even the masks. The specificity of theatre is to be found in the fact that the signifier is linked to the word, but also – at the same level – to the stage design, the costumes, the movement, the music, the noises. Or, the great idea of Dada in the sphere of art is to abolish the “specific valueˮ of artistic means attributed by traditional aesthetics to each artistic genre, in other terms to mix many languages in a single object. The dada object includes the derisory, the heterogeneity, and associates to itself even the most unbelievable aspects.
Keywords: Dada, Tzara, Duchamp, cinema, theatre, game, representation, aesthetics, body, language.
References:
Ball Hugo, Dada à Zurich. Le mot et l’image (1916-1917), Traduction de l’allemand et notes de Sabine Wolf, Nouvelle edition revue et corrigée, Paris, Les Presses du réel, 2006.
Ball Hugo, La Fuite hors du temps. Journal 1913-1921, Préface de Herman Hesse, Traduit de l’allemand par Sabine Wolf, Paris, Éditions du Rocher, 1993.
Bay-Cheng Sarah, Mama Dada. Gertrude Stein’s Avant-Garde Theater, New York & London, Routledge, 2005.
Bruce Elder R., Film and Avant-garde Art Movements in the Early Twentieth Century, Wilfrid Laurier University Press, 2008.
Hagener Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939, Amsterdam University Press, 2007.
Henkin Melzer Annabelle, Dada and Surrealist Performance, Baltimore, Johns Hopkins University Press, 1994.
Tzara Tristan, Œuvres complètes, tome 1, 1912-1924, Texte établi, présenté et annoté par Henri Béhar, Paris, Flammarion, 1975.
Published Online: 2016-10
References:
Ball Hugo, Dada à Zurich. Le mot et l’image (1916-1917), Traduction de l’allemand et notes de Sabine Wolf, Nouvelle edition revue et corrigée, Paris, Les Presses du réel, 2006.
Ball Hugo, La Fuite hors du temps. Journal 1913-1921, Préface de Herman Hesse, Traduit de l’allemand par Sabine Wolf, Paris, Éditions du Rocher, 1993.
Bay-Cheng Sarah, Mama Dada. Gertrude Stein’s Avant-Garde Theater, New York & London, Routledge, 2005.
Bruce Elder R., Film and Avant-garde Art Movements in the Early Twentieth Century, Wilfrid Laurier University Press, 2008.
Hagener Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film Culture, 1919-1939, Amsterdam University Press, 2007.
Henkin Melzer Annabelle, Dada and Surrealist Performance, Baltimore, Johns Hopkins University Press, 1994.
Tzara Tristan, Œuvres complètes, tome 1, 1912-1924, Texte établi, présenté et annoté par Henri Béhar, Paris, Flammarion, 1975.
Published Online: 2016-10
