AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: MARYAM MOMTAHEN FAKHRANI.
DOI: https://doi.org/10.24193/subbdrama.2017.1.08
VIEW PDF: D’UNE DRAMATURGIE CIRCULAIRE A L’IMAGE DE LA CONCEPTION ORIENTALE DU TEMPS : CAS D’UN DRAME HISTORIQUE PERSAN
From a Circular Dramaturgy to an Image of the Oriental Concept of Time: Case Study of a Persian Historical Drama. The present study invites us to discover a new narrative strategy in the way a Persian dramatist chooses to recount his historical drama. By creating holes or narrative obstacles over the moments of traditional topoi, he explodes the linear narrative and chooses a cyclical, even helical form to complete the fault of the initial narrative. The narrative form adopted broadly resembles a temporal and philosophical vision of history in its oriental approach, which is similarly considered cyclical.
Keywords: historical drama, cyclical narrative, cyclical time, philosophy of history.
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Published Online: 2017-03-17
