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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2014 | |||||||
Article: |
GRANDFATHERS AND ORPHANS. Authors: EUGENIO BARBA. |
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Abstract: This paper presents the importance of Stanislavski and Meyerhold for the theatrical formation of the author. Having entered the world of theatre as an orphan, he was “raised” by these two spiritual grandfathers, who taught him fundamental things about acting and the actor, about freedom and political engagement. Stanislavski and Meyerhold permitted the author to be part of what he calls disconnected traditions which are handed on through discontinuity and contradiction, evading the straight path. Such a disconnected tradition is the one which saw Seki Sano, a Japanese director, transmit the Stanislavskian and Meyerholdian heritage in Latin America. Keywords: Stanislavski, Meyerhold, Seki Sano, grandfathers, orphans.
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