AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
|||||||
STUDIA DRAMATICA - Issue no. 1 / 2007 | |||||||
Article: |
TADEUSZ KANTOR – THE CONDITION OF THE ARTIST AND THE CONDITION OF ART. Authors: EUGEN RADU WOHL. |
||||||
Abstract: This paper discusses the work of Tadeusz Kantor, one of the most important representatives of European Culture, focusing on two of the performances (The Dead Class and Wielopole, Wielopole) included in the cicle entitled Theatre of Death. The aim of this paper is to analyse the relationship between the artist and his creation, given the fact that his presence on stage, as an integrating part of the performance, has been the subject of controversy and can constitute a key to understanding his work The essay is interested more in the symbolic implications of Kantor’s presence on stage, rather than discussing the functional aspects concerning the director’s presence among his actors/characters in the centre of his creation. Keywords: theatre, Tadeusz Kantor, simbolism |
|||||||