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Mihai Gădălean is still a student in the final year of the Journalism Department of Babeş-Bolyai University, but he is also one of the editors and film critics of “ManInFest” theatre and film review, and is preparing his degree with a study about the conditions, context and style problems of the so called “mockudrama”. The article below is a case study on Woody Allen’s movie Zeldig, seen as a perfect aesthetical and structural example of this new and so offering cinema category of productions.

Keywords: Zelig, mockudrama, Woody Allen