AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2018 | |||||||
Article: |
THE MUSIC CRITIC BETWEEN ROLE AND RESPONSIBILITY / CRITICUL MUZICAL ÎNTRE ROL ȘI RESPONSABILITATE. Authors: CRISTINA ŞUTEU. |
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Abstract: Musical criticism examines, interprets, appreciates the value and gives orientation to the artistic phenomenon using argumentation based on concepts. As a “judge“ (gr. krités – κριτήσ),the critic use his power of discernment to evaluate both the composition and artistic act. This article presents concisely answers to four basic questions related to musical criticism: What is?; Whom is addressed to?; Which is the aim?; Who should write it?. An interdisciplinary perspective on music, analytical thinking, objectivity versus subjectivity, the ability to offer the whole perspective and at the same time to highlight the fine points – these are some of key indicators in the spectrum of values used in writing musical criticism. Keywords: artist, public, analyticalsense, vocation, interdisciplinarity, subjectivity, objectivity, responsibility, adviser. |
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