AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: MIHAI RUSU.
DOI: 10.24193/subbphil.2020.1.03
Published Online: 2020-04-30
Published Print: 2020-04-30
pp. 39-52
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ABSTRACT.
The main aim of this paper is to provide a critical discussion of some key issues concerning the possible-world analysis of fiction. After a review of the most important philosophical questions concerning truth, reference, names and identity, and their bearing on fiction, I outline the possible-world framework, as used by David Lewis (1978) in his analysis, and examine its most important problems. A special interest is granted to the limits of the Lewisian pretense interpretation of fiction that are highlighted by works of cinema. I conclude with an appraisal of the puzzles generated by the attempts to draw borders between and within the worlds of fiction, and emphasize the need for a better mutual understanding of the two perspectives that are essential for a possible-world interpretation of fiction: literary theory and philosophy.
Keywords: possible worlds, modal logic, modal metaphysics, fiction, David Lewis, Thomas Pavel.
