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    STUDIA HISTORIA%20ARTIUM - Ediţia nr.1 din 2019  
         
  Articol:   METODOLOGIA ȘI ISTORIOGRAFIA ORNAMENTULUI ARHITECTURAL DIN CLUJ-NAPOCA / METHODOLOGY AND HISTORIOGRAPHY OF ARCHITECTURAL ORNAMENTS FROM CLUJ-NAPOCA.

Autori:  EMILIA MĂȚAN DRAGOSTE.
 
       
         
  Rezumat:  
DOI: 10.24193/subbhistart.2019.06

Published Online: 2019-12-15
Published Print: 2019-12-30
pp. 107-139
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Methodology and Historiography of Architectural Ornaments from Cluj-Napoca. In the article I intend to argue for the symbolic understanding of the architectural ornament. I trace the historical evolution of the ornament in relation with the most relevant artistic styles of the 19th century: Neoclassicism, Historism, Eclecticism, Art Nouveau. I also map the different theoretical conceptualizations of the ornament, ranging from considering it an auxiliary element of the architectural edifice to its analysis as a self-contained object, bearing an illustrative dimension. It is this latter approach that I am envisaging relevant and appropriate for the investigation of the architectural ornament in Cluj-Napoca during the period spanning from the 19th century till the beginning of the 20th century. The symbolic framing of the ornament places the architectural accessories from that time within a web of meanings specific for the transnational communication of forms and artists/ architects in East Central Europe. I make a case for the argument as a cultural artifact bearing testimony about a certain historical context, about the personal choices of the architect and the views of the commissioner and, last but not least, about the morphological traces having a life of their own. The architectural ornaments from Cluj-Napoca can thus be seen in their stylistic complexity, but also as artifacts having a local imprint, dependent or independent on individual artistic choices.

Keywords: architectural ornament, Cluj-Napoca, symbolic form, historical local context.
 
         
     
         
         
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