AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: BÉATRICE PICON-VALLIN.
DOI: 10.24193/subbdrama.2018.2.04
Published Online: 2018-10-30
Published Print: 2018-10-30
pp. 87-98
VIEW PDF: FULL PDF
The Romanian Theatre in the Sixties (1963-65). Views from France and Russia on David Esrig’s Theatre. This research tries to present a brief period of the Romanian theatre, the sixties, from the point of view of its international echoes, mainly in France and Russia. Stage directors such as David Esrig and Lucian Pintilie, among many others, were very admired by theatre critics who had the opportunity to know their work. Denis Bablet, for example, wrote in 1967 a laudatory article in Les Lettres françaies, on Esrig and Pintilie, and it is entirely transcribed here, as an important document for Romanian theatre history. Bablet’s article is the starting point for this research, where the focus is put on Esrig’s work that is situated in the great meyerholdian tradition.
Keywords: Romania, David Esrig, Lucian Pintilie, stage directing, Meyerhold, international experiences, Denis Bablet, the sixties.
