AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: EMMA PEDESTRU.
Published Online: 2024-04-30
Published Print: 2024-07-20
pp. 195-201
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A premiere of Hamlet on the stage of the National Theatre in Craiova cannot be a mere triviality or a standalone product. On the contrary, it becomes a theatrical event through its very association with the history of the producing institution, whose precedents with the famous Shakespearean tragedy determine the maturity of the audience’s expectations, but also create the possibility of a resounding failure under the proportional pressure of these expectations. Consequently, it is difficult to analyze Declan Donnellan’s recent production and its impact on the public and critics without a contextual parenthesis explaining the aura of predestination for this production on this stage.
