AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
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STUDIA DRAMATICA - Ediţia nr.1 din 2022 | |||||||
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BOOK REVIEW: WHETHER WE LIKE IT OR NOT – ABOUT MICHAEL MCKINNIE’S THEORY OF THEATRE-MARKET INTERACTIONS. MICHAEL MCKINNIE, THEATRE IN MARKET ECONOMIES, CAMBRIDGE: CAMBRIDGE UNIVERSITY PRESS, 2021. Autori: MARIUS-ALEXANDRU TEODORESCU. |
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Rezumat: Published Online: 2022-03-30 Published Print: 2022-03-30 pp. 217-221 VIEW PDF FULL PDF We have a natural resistance to associate theatre in particular and art in general with anything to do with money or finances. For this reason, Michael McKinnie’s book, Theatre in Market Economies, is not only hard to pallet, but it seems almost outrageous. This book aims to outline the complex relationships between theatre and finances and how theatre makes use of the best strategies of generating capital, often without even realising it. As practitioners, especially in Romania, we tend to see theatre as a poor art, as constantly trying to fight the financial system, and it is a subjective truth, rather than an objective one. McKinnie argues that theatre is a high-performance financial engine that makes use of the best strategies that our capitalist world has to offer. This theory is broadly outlined in the introduction, and is further illustrated by examples in the following chapters. |
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