AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: ANCA HAȚIEGAN.
DOI: 10.24193/subbdrama.2018.1.03
Published Online: 2018-03-30
Published Print: 2018-03-30
pp. 61-90
VIEW PDF: The Theatrical Christening of Romania
The present paper focuses on the first theatrical representation of Romania by the actor and playwright Costache Caragiali (1815-1877), examining the portrayal of the female protagonist of the prologue written by the said author on the occasion of the grand opening of Teatrul cel Mare (the future National Theatre) from Bucharest, in 1852. The paper also traces the history of the allegorical representation of the nation in the Romanian theatre from the beginning to the end of World War I, by such authors like Gheorghe Asachi (one of Caragiali’s precursors), actor Mihail Pascaly, Frédéric Damé (a writer and journalist of French origin), Ion Luca Caragiale (Costache Caragiali’s nephew and one of Romania’s greatest writers of all times) and actor and playwright Zaharia Bârsan.
Keywords: Romania, theatre, 19th century, Caragiali, allegory, nation, Marianne
