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    STUDIA DRAMATICA - Ediţia nr.1 din 2016  
         
  Articol:   THE LEGACY OF DADAISM.

Autori:  REBECCA LOGGIA.
 
       
         
  Rezumat:  
VIEW PDF: THE LEGACY OF DADAISM

This paper aims to explore how Dadaism addressed many aspects of human nature that audiences were not accustomed to seeing – from corrupt leaders, to war, to examination of the self and its place in society and culture – and the results of that focus. We underline the importance of the historical context of World War I for the birth of Dadaism, but we mostly pay attention to the aesthetic dimensions of the cultural and sociopolitical debates which took place at that time.

Keywords: Dadaism, Cabaret Voltaire, Revolutionary, Bourgeoisie, Surrealism, Postmodernism.

References:

Hemus Ruth. “Sex and Cabaret: Dada’s Dancers. Research Gate. 2007. Web. https://goo.gl/vGzVnv
Kramer Hilton. “Moma Presents a Neglected Abstractionist.” Art View. New York Times. 1981. Web. http://goo.gl/VLskRd
MOMA Learning. “Dada.” World War I and Dada. MOMA. 2016. Web. www.moma.org/learn.
Motherwell Robert. Dada Painters and Poets. Paperbacks in Art History. 2nd Revised Edition: Belknap Press.1989. Print.
Stefan Olga. “Cabaret Voltaire: From Dada to Nietniet.” SwissNews. May 2010. Web. https://goo.gl/9hZeMF
Stoppard Tom. Travesties. Grove Press. 1994. Print.
The Art Story Contributors. “Dada.” TheArtStory.org. 2016. Web. http://goo.gl/oSnQ9T
The International Dada Archive. “Muses.” Dada. The Red List. Web. http://goo.gl/M2v1fP
Tzara Tristan. “Dada Manifesto.”, Dadaism. 1918. Web. http://goo.gl/ovW3a5
Tzara Tristan. “Lecture on Dada.”, Dadaism. 1922. Web. http://goo.gl/POv0tK
Tzara Tristan. Seven Dada Manifestos and Lampisteries. Calder Publications. New York. Riverrun Press. 1992. Print.


Published Online: 2016-03
 
         
     
         
         
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