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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA DRAMATICA - Ediţia nr.1 din 2016 | |||||||
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ENTRE LA LETTRE ET LA VOIX OU LE CULTE DADAÏSTE DE L’ÉPHÉMÈRE / BETWEEN LETTER AND VOICE OR THE DADAIST CULT OF TRANSITIVENESS. Autori: ANDREEA APOSTU. |
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Rezumat: VIEW PDF: ENTRE LA LETTRE ET LA VOIX OU LE CULTE DADAÏSTE DE L’ÉPHÉMÈRE Between letter and voice or the Dadaist cult of transitiveness. This paper aims to analyze the way in which Dadaists tried to liberate literature from its typographical permanence through their oral poetical experiments. Our thesis is that Dada inaugurated an esthetic of transitiveness, of the poem as spectacle, a temporally and temporary act that may have its origins non only in primitive forms of artistic manifestations (such as African music and rituals), but also in the European tradition of medieval jogglers and minstrels. Even though fundamentally different, the medieval and the Dadaist performances are a form of theatrical expression that aim at an artistic totality, by implying the simultaneous use of voice, gesture, music and dance, and in the same time at an unique and unrepeatable representation, defined by instability and textual mobility (mouvance). The poem becomes, in both cases, a pre-text and a starting point for a much more intricate and transgressive text, that of the performance itself. Keywords: Dada, jogglers, medieval, textual mobility (mouvance), performance, poetry, theatre. References: Bakhtine Mikhail, Rabelais and his World, Bloomington, Indiana University Press, 1984. Cabaret Voltaire. Der Zeltweg. Dada. Le Cœur à Barbe, Paris, Jean Michel Place, 1981. Călinescu Matei, Conceptul modern de poezie, Piteşti, Paralela 45, 2009. Călinescu Matei, Faces of Modernity: AvantGarde, Decadence, Kitsch, Bloomington, Indiana University Press, 1977. Charles-Dominique Luc, « Du jongleur au ménétrier. Évolution du statut social des instrumentistes médiévaux », in Instruments à cordes du Moyen Âge, dir. Christian Rault, Éd. Creaphis, 1999, pp. 2948. Codrescu Andrei, The Posthuman Dada Guide: Tzara and Lenin Play Chess, Princeton, Princeton University Press, 2009. Compagnon Antoine, Cinq paradoxes de la modernité, Paris, Seuil, 1990. Dada circuit total, ed. Henri Béhar, Catherine Dufour, Lausanne, L’Âged’Homme, 2005. Goldwater Robert John, Primitivism in Modern Art, Harvard, Harvard University Press, 1986. Hausmann Raoul, Courrier Dada, Paris, éditions Allia, 2004. Schwitters Kurt, « Dada complet » no. 2, in Merz. Écrits choisis, Paris, Ivréa, 1990. Tzara Tristan, « Chroniquezurichoise », in Dada Almanach, Berlin, Eich Reiss, 1920, pp. 1028. Tzara Tristan, Oeuvres complètes, tome I, Paris, Flammarion, 1975. Zumthor Paul, Essai de poétique médiévale, Paris, Seuil, 1972. Zumthor Paul, « Intertextualité et mouvance », in Littérature, 1981, vol. 41, n° 1, pp. 816. Zumthor Paul, La lettre et la voix, Paris, Seuil, 1987. Published Online: 2016-03 |
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